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results 41-60 of 271 item(s)  page 3 of 14 : ( <<  1  2  3  4  5  6  7  8  9  10  >> ) :: previous : next
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41. [Bookplate for Charles Perrin Smith] [Bookplate for Charles Perrin Smith] This bookplate consists of a very detailed coat of arms, which is divided per pale. The first half at dexter has fifteen quarterings, which are as follows: azure (blue) with a chevron argent (silver), charged with a crescent, between three cocks ; sable (black) charged with three griffin's heads erased ; sable and argent (silver) divided per fess with a lion rampant ; argent charged with a lion passant, between three fleur de lis, two over one ; gules and argent, divided quarterly, charged with four lions passant ; or (gold) charged with a lion gules rampant ; ermine (fur) charged with a lion sable rampant ; azure with a chevron argent, between three cocks ; gules with two lions passant, one above the other ; ermines and sable, divided per bend sinister, charged with a lion sable rampant ; argent, a bordure engrailed or charged with three Griffin's heads, erased gules ; argent and gules, divided per quarterly, quarters one and four argent, charged with three boars' heads and quarters two and th.

42. [Bookplate for Charles Eliot Norton] [Bookplate for Charles Eliot Norton] This bookplate consists of a straight heraldic wreath charged with a gryphon. Below the wreath a three books, piled, with a scroll over-top, with Latin motto within.

43. [Bookplate] [Bookplate] The text of the bookplate is surrounded by an elaborate border decorated with various religious figures and themes. Angels kneel on either side of the upper corners and face inwards towards a man holding a book and looking outwards from an arch. The sides are decorated with ornate columns, at the bottom of which are crosses and a symbol of the Holy Trinity. Both the top and bottom portions of the border are decorated with stylized curls. The word 'Catholic' is printed in a bold font, and 'Circulating Library' is in a curly stylized Gothic font. The rules of the library are divided from the rest of the text by bars at the top and bottom, and there is a hand symbol pointing to the library's hours of operation at the bottom of the bookplate. The price of the library subscription is given in shillings, dating this to the era of the Canadian pound which was in use until currency decimalization came into force in 1858.

44. [Bookplate for Academie Commerciale Catholique] [Bookplate for Academie Commerciale Catholique] The text is surrounded by a simple lined border. The text "de L’Académie Commerciale Catholique" is in a Gothic script.

45. [Bookplate for Academie Commerciale Catholique] [Bookplate for Academie Commerciale Catholique] The text is surrounded by a simple lined border. The text "de L’Académie Commerciale Catholique" is in a Gothic script.

46. [Bookplate] [Bookplate] The text is surrounded by a simple lined border. The text "de L’Académie Commerciale Catholique" is in a Gothic script.

47. [Bookplate for Peter Courchesne] [Bookplate for Peter Courchesne] The small image on this bookplate is located to the right and is merely a small opened book with, what looks like, a antiquarian writing on it.

48. [Bookplate for Castle Lending Library] [Bookplate for Castle Lending Library] The name of the lending library is in large bold letters at the top of the bookplate, and underneath is listed the address, hours, and telephone number. Underneath this text block there is a thick black line, and a listing of the terms, time limit and renewal conditions. Underneath this is a single black line, the words 'Please Protect Your Book in Wet Weather' and another single black line. At the bottom of the bookplate is space for the library to stamp a return date.

49. [Bookplate for Notre-Dame-de-Grâce by Avis Selina Fyshe] [Bookplate for Notre-Dame-de-Grâce by Avis Selina Fyshe] The image border, black ink on white paper, depicts the variety of topics of children's literature included in the library: travel, myths, fairy-tales, nature, crafts, sport, pets, legend, music, adventure, history, and science. Each subject is displayed with a representative image, including, train, plane, covered-wagon, trumpeter, knight, dragon, dog, rabbit, sailing boats, people, ostrich, monkey, princess and pegasus.

50. [Bookplate for Theodore A. Jackson by Franklin Bittner] [Bookplate for Theodore A. Jackson by Franklin Bittner] The bookplate is printed in shiny, raised black ink. The image is a three-masted ship at sea above a compass rose. In the top left of the image is the illustrator’s copyright text, and below the image is text identifying the owner.

51. [Bookplate] [Bookplate] The bookplate is printed in navy blue ink. The name, address, telephone number and hours are printed at the top. Underneath this block of text is a line, and the remainder of the bookplate is split into two halves. The headings 'terms' 'time limit' 'renewal notice' and 'care' are printed on the left-hand side of the split, and the corresponding information is printed on the right-hand side. Underneath this block is a line, the words 'Please protect your book in wet weather' and another solid line.

52. [Bookplate for Robie Lewis Reid] [Bookplate for Robie Lewis Reid] The bookplate has below a banner with a quote from the Canterbury Tales an image of a writing desk backed by a number of books both lined up vertically, aslant and open on the desk. A banner crosses the upper portion of the image that states "EX LIBRIS", between these two words is a round shield made by a belt on which is written "PRO VIRTUTE". Within this shield is the image of a hand holding an open book on top of a braided wreath. Below the writing desk is a rectangular plate with the name "Robie Lewis Reid".

53. [Bookplate for Robert E. Harris by W.A. Ives] [Bookplate for Robert E. Harris by W.A. Ives] The bookplate features an ornate border surrounding a coat of arms, motto, and illustration of books and the lamp of knowledge. The coat of arms features three silver crescents on a sable field. The shield is topped with a helmet and eagle with wings spread. The ribbon below contains the motto. The artist’s name appears under the books.

54. [Bookplate for Victor W. Odlum] [Bookplate for Victor W. Odlum] The bookplate depicts several images representing aspects of Odlum's life and is printed in black and red on white paper. At the top of the bookplate is the family crest depicting a crowned owl (a pun on the pronunciation of the family name) and the motto "Vita Est Vigila." Underneath that is the Canadian flag and then below this is a series of biographically significant images. From left to right: a Turkish flag ; crossed swords and dates he served in the Boer War, World War One and World War Two ; and an outline of Australia and a kangaroo. Below this series is an ancient Chinese character (Odlum's chop), a printing press ; and gardening tools, and books on shelves.

55. [Bookplate for Victor W. Odlum] [Bookplate for Victor W. Odlum] The bookplate depicts several images representing aspects of Odlum's life and is printed in black and red on white paper. At the top of the bookplate is the family crest depicting a crowned owl (a pun on the pronunciation of the family name) and the motto "Vita Est Vigila." Underneath that is the Canadian flag and then below this is a series of biographically significant images. From left to right: a printing press ; a Turkish flag ; crossed swords and dates he served in the Boer War, World War One and World War Two ; an outline of Australia and a kangaroo ; and gardening tools. Below this series is an ancient Chinese character (Odlum's chop) and books.

56. [Bookplate for Hermes Circulating Library] [Bookplate for Hermes Circulating Library] Textual bookplate printed in black ink and three fonts delineating terms for borrowing. One hand in blue ink.

57. [Bookplate for Union des Commis-Marchands] [Bookplate for Union des Commis-Marchands] Text is printed in a numbered list, surrounded by a line border resembling chain.

58. [Bookseller's Ticket for U. Archambault] [Bookseller's Ticket for U. Archambault] Text and a border printed in black ink on white paper.

59. [Bookplate for William R. Ridell] [Bookplate for William R. Ridell] Shield, argent (silver), charged with a chevron, gules (red), and three garb, aulned. Above the crest is a greyhound, rampant ; only top half of dog is visible behind a wreath of vert (green) and a second colour, unclear. Beneath the shield is a banner which ends in two tassels on either side, reading 'I hope to Share.' Box on lower left side for entering book number, unused. Tear at bottom right.

60. [Bookplate for Stanley Harrod] [Bookplate for Stanley Harrod] Sepia ink on cream paper. A sketched front of a sailboat with three large sails is at the top of the image. Ribbons swirls around the ship’s sails as if in the wind. The sailboat is emerging from a cloud-like section that extends out into other images. A rounded horizontal oval shape with large, round extensions at the top left and top right corners surround the other image. There is a thick, round border surrounding the shape. On the left side, a naked woman is leaning backwards onto a mythical creature with a human-like fish head and a coiling snake body. The creature is lying on the border, with wide eyes looking at the back of the woman. The woman was long hair in a ponytail and is looking downwards. Her right arm extends backwards towards the creature and, similarly, her right knee is bent. Her left leg extends out to stand on part of the border. Behind her left foot, a piece of seaweed like foliage drapes off of the border. In the upper right hand corner are two naked women. One is holding onto the upper part of the border and looks down onto the other woman, who is reclining on the border. The woman on top appears to be a mythical creature with long, footless legs that twirl around the other woman and border. The woman has her hair in a ponytail. The woman on the bottom has darker hair and has her left knee bent, her right arm lying on the leg of the other woman, and her left arm raised in potential defense against the other woman. In the middle of the shape is a head portrait of Leonardo da Vinci as an old man. He is bald on top with long white hair and a long white beard. Underneath his beard, the name Leonardo is written in fine, sentence case cursive. Extending from behind Leonardo’s beard are paint brushes and other artist’s tools, crisscrossed. Below the image is a small circle, text written in larger, sentence case cursive, another small circle, and more text in the same font.
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results 41-60 of 271 item(s)  page 3 of 14 : ( <<  1  2  3  4  5  6  7  8  9  10  >> ) :: previous : next
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